newly restored director's cut in widescreen format

stereo sound

The film is presented in two parts, separated by an intermission.

Part I

In 1935, T. E. Lawrence is killed in a motorcycle . At his memorial service at St Paul's Cathedral, a reporter tries to gain insights into this remarkable, enigmatic man from those who knew him, with little success.

During the First World War, Lawrence is a misfit British Army lieutenant stationed in Cairo, notable for his insolence and knowledge. Over the objections of General Murray, he is sent by Mr. Dryden of the Arab Bureau to assess the prospects of British ally Prince Faisal in hisrevolt against the Turks.

On the journey, his Bedouin guide is killed by Sherif Ali for drinking from a well without permission. Lawrence later meets Colonel Brighton, who orders him to keep quiet, make his assessment of Faisal's intentions, and leave. Lawrence promptly ignores Brighton's commands when he meets Faisal. His knowledge, attitude and outspokenness pique the Prince's interest.

Brighton advises Faisal to retreat to Yenbo after a major defeat, but Lawrence proposes a daring surprise attack on Aqaba which, if successful, would provide a port from which the British could offload much-needed supplies. While strongly fortified against a naval assault, the town is lightly defended on the landward side. He convinces Faisal to provide fifty men, led by a skeptical Sherif Ali. Two teenage orphans, Daud and Farraj, attach themselves to Lawrence as his servants.

They cross the Nefud Desert, considered impassable even by the Bedouins, travelling day and night on the last stage to reach water. Gasim (I. S. Johar) succumbs to fatigue and falls off his camel unnoticed during the night. The rest make it to an oasis, but Lawrence turns back for the lost man and against all odds brings him back. Sherif Ali, won over, burns Lawrence's British uniform and gives him Arab to wear.

Lawrence persuades Auda abu Tayi, the leader of the powerful local Howeitat tribe, to turn against the Turks. Lawrence's plan is almost derailed when one of Ali's men kills one of Auda's because of a blood feud. Since Howeitat retaliation would shatter the fragile alliance, Lawrence declares that he will execute the murderer himself. Stunned to discover that the culprit is Gasim, he shoots him anyway. The next morning, the intact alliance overruns the Turkish garrison.

Lawrence heads to Cairo to inform Dryden and the new commander, General Allenby, of his victory. During the crossing of the Sinai Desert, Daud dies when he stumbles into quicksand. Lawrence is promoted to major and given arms and money to support the Arabs. He is deeply disturbed, confessing that he enjoyed executing Gasim, but Allenby brushes aside his qualms. He asks Allenby whether there is any basis for the Arabs' suspicions that the British have designs on Arabia. Pressed, the general states they have no such designs.

Part II

Lawrence launches a guerrilla war, blowing up trains and harassing the Turks at every turn. American war correspondent Jackson Bentley publicises his exploits, making him world famous. On one raid, Farraj is badly injured. Unwilling to leave him to be tortured, Lawrence is forced to shoot him before fleeing.

When Lawrence scouts the enemy-held city of Daraa with Ali, he is taken, along with several Arab residents, to the Turkish Bey. Lawrence is stripped, ogled and prodded. For striking out at the Bey, he is severely flogged, and possibly raped, which is implied. He is then thrown out into the street. It is an emotional turning point for Lawrence. He is so traumatised by the experience that he abandons all of his exploits, going from having proclaimed himself almost a god, to insisting he is merely a man. He attempts to return to the British forces and swear off the desert, but he never fits in there. In Jerusalem, Allenby urges him to support his "big push" on Damascus, but Lawrence is a changed, tormented man, unwilling to return. After Allenby insists that Lawrence has a destiny, he finally relents. Lawrence naively believes that the warriors will come for him rather than for money.

He recruits an army, mainly killers, mercenaries, and cutthroats motivated by money, rather than the Arab cause. They sight a column of retreating Turkish soldiers who have just slaughtered the people of the village of Tafas. One of Lawrence's men from the village demands, "No prisoners!" When Lawrence hesitates, the man charges the Turks alone and is killed. Lawrence takes up the dead man's cry, resulting in a massacre in which Lawrence himself fully participates, with disturbing relish. Afterward, he realises the horrible consequences of what he has done.

His men then take Damascus ahead of Allenby's forces. The Arabs set up a council to administer the city, but they are desert tribesmen, ill-suited for such a task. The various tribes argue among themselves and in spite of Lawrence's insistence, cannot unite against the British, who in the end take the city back under their bureaucracy. Unable to maintain the utilities and bickering constantly with each other, they soon abandon most of the city to the British. Promoted to colonel and immediately ordered home, his usefulness at an end to both Faisal and the British diplomats, a dejected Lawrence is driven away in a staff car.

Cast

Various members of the film's crew portrayed minor characters. First assistant director Roy Stevens played the truck driver who transports Lawrence and Farraj to the Cairo HQ at the end of Act I; the Sergeant who stops Lawrence and Farraj ("Where do you think you're going to, Mustapha?") is construction assistant, Fred Bennett; and screenwriter Robert Bolthas a wordless cameo as one of the officers watching Allenby and Lawrence confer in the courtyard (he is smoking a pipe). Steve Birtles, the film's gaffer, plays the motorcyclist at the Suez Canal; David Lean himself is rumored to be the voice shouting "Who are you?" Finally, continuity girl Barbara Cole appears as one of the nurses in the Damascus hospital scene.

The film is unusual in that it has no women in credited speaking roles.

Nonfictional characters
Fictional characters