Mega Rare Record Originating from the West End in London

Cover is VG+ (shelf wear. creasing)
Inner Sleeve is VG (seam splits)
Record is VG
Labels are very clean

Visually Graded

Tracklist

Side 1
    Jimmie Rodgers Medley    3:12
1        In The Jailhouse Now / Waiting For A Train / Travelin' Blues
        Hank Williams Medley    3:12
2        Jambalaya / Honky Tonkin' / Why Don't You Love Me / Move It On Over / Long Gone Lonesome Blues
        Roy Acuff Medley    3:21
3        Wabash Cannonball / As Long As I Live / Pins And Needles / Once More
        Fred Rose Medley    2:54
4        Blue Eyes Cryin' In The Rain / Afraid / Waltz Of The Wind / No One Will Ever Know

Side 2
        Jimmie Rodgers Medley    3:37
1        Blue Yodel ("T" For Texas) / Any Old Time / Mule Skinner Blues (Blue Yodel #8)
        Hank Williams Medley    3:20
2        Take These Chains From My Heart / You Win Again / I'm So Lonesome I Could Cry / There'll Be No Teardrops Tonight / Mansion On The Hill
        Roy Acuff Medley    3:27
3        The Precious Jewel / The Wreck On The Highway / Streamlined Cannonball / Low And Lonely
        Fred Rose Medley    3:35
4        Good Time Cake Walk / I Can't Go On This Way / Roly Poly / Texarkana Baby / Bringin' In The Georgia Mail

Floyd Cramer (October 27, 1933 – December 31, 1997) was an American pianist who became famous for his use of melodic "half step" attacks. He was inducted into both the Country Music Hall of Fame and the Rock and Roll Hall of Fame. His signature playing style was a cornerstone of the pop-oriented "Nashville sound" of the 1950s and 1960s. Cramer's "slip-note" or "bent-note" style, in which a passing note slides almost instantly into or away from a chordal note, influenced a generation of pianists. His sound became popular to the degree that he stepped out of his role as a sideman and began touring as a solo act. In 1960, his piano instrumental solo, "Last Date" went to number two on the Billboard Hot 100 pop music chart and sold over one million copies. Its follow-up, "On the Rebound", topped the UK Singles Chart in 1961. As a studio musician, he became one of a cadre of elite players dubbed the Nashville A-Team and he performed on scores of hit records.