This listing is for She Wore a Yellow Ribbon Sheet Music 1949 John Wayne, Joanne Dru.

Vintage 1949 She Wore A Yellow Ribbon Sheet Music John Wayne Cover. Very Good condition. Yellow is the official color of the armor branch of the U.S. Army, used in insignia, etc., and depicted in Hollywood movies by the yellow neckerchief adorning latter-half 19th century, horse-mounted U.S. Cavalry soldiers. However, a review of the U.S. War Department's Regulations for the Uniform and Dress of the Army of the United States (1872, 1898) reveals that a neckerchief, of any color, was not an item required by dress code. Despite this, neckerchiefs were a popular accessory employed by cavalrymen to cope with the frequently dusty environs. The specific association of the yellow neckerchief with the U.S. Cavalry may have arisen from a work of popular American West artist Frederic Remington—Lieutenant Powhatan H. Clarke, Tenth Cavalry (1888). In the United States military, the symbol of the yellow ribbon is used in a popular marching song. The first version copyrighted was the 1917 version by George A. Norton, which he titled "Round Her Neck She Wears a Yeller Ribbon" (For Her Lover Who Is Far, Far Away). While he tells in the song about the love between Susie Simpkins and her soldier lover Silas Hubbard, his chorus goes:

The lyrics were altered and the song was titled She Wore a Yellow Ribbon by Russ Morgan for the 1949 movie of the same name. She Wore a Yellow Ribbon is a 1949 American Technicolor Western film directed by John Ford and starring John Wayne. It is the second film in Ford's "Cavalry Trilogy", along with Fort Apache (1948) and Rio Grande (1950). With a budget of $1.6 million, the film was one of the most expensive Westerns made up to that time. It was a major hit for RKO. The film is named after "She Wore a Yellow Ribbon", a song popular with the US military. The film was shot on location in Monument Valley utilizing large areas of the Navajo reservation along the Arizona-Utah state border. Ford and cinematographer Winton C. Hoch based much of the film's imagery on the paintings and sculptures of Frederic Remington. Hoch won the Academy Award for Best Cinematography, Color in 1950. It was also nominated as 1950's Best Written American Western (which the Writers Guild of America awarded to Yellow Sky).

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