This listing is for Andre Kostelanetz – Everything Is Beautiful Vinyl LP Record Album C-30037.

Label: Columbia – C 30037

Format: Vinyl, LP, Album

Country: US

Released: 1970

Genre: Pop

Style: Easy Listening  

Condition:   Jacket:    Very Good          Vinyl:   Very Good

Tracklist:

A1 The Long And Winding Road 2:28

A2 On A Clear Day 2:03

A3 Think How It's Gonna Be (When We're Together Again) 2:32

A4 Song From "M*A*S*H" 2:17

A5 What Are You Doing The Rest Of Your Life? 3:02

A6 An Elephant Called Slowly 2:40

B1 Let It Be 3:20

B2 Airport Love Theme (Winds Of Chance) 2:50

B3 Being Alive 2:09

B4 Everything Is Beautiful 4:17

B5 Butterflies Are Free 2:20

Andre Kostelanetz (Russian: Абрам Наумович Костелянец; December 22, 1901 – January 13, 1980) was a Russian-born American popular orchestral music conductor and arranger who was one of the major exponents of popular orchestra music. Abram Naumovich Kostelyanetz was born in Saint Petersburg, Russia to a prominent Jewish family. He was a cousin of physicist Lew Kowarski. His father, Nachman Yokhelevich (Naum Ignatyevich) Kostelyanetz, was active on the St. Petersburg stock exchange; his maternal grandfather, Aizik Yevelevich Dymshitz, was a wealthy merchant and industrialist, engaged in timber production. Kostelanetz began playing the piano at four and a half years old. He studied composition and orchestration at the Petrograd Conservatory of Music. When he was 19, the Grand Petrograd Opera Company held a competition to select a chorusmaster and assistant conductor, in which he was selected despite being the youngest applicant. Kostelanetz continued there until leaving Russia in March 1922 after the Russian Revolution, when he stayed in Paris for a time before moving on to the United States. He arrived in the United States that year, and in the 1920s, conducted concerts for radio. In the 1930s, he began his own weekly show on CBS, Andre Kostelanetz Presents. Kostelanetz was known for arranging and recording light classical music pieces for mass audiences, as well as orchestral versions of songs and Broadway show tunes. He made numerous recordings over the course of his career, which had sales of over 50 million. For many years, he conducted the New York Philharmonic in pops concerts and recordings, in which they were billed as Andre Kostelanetz and His Orchestra. Kostelanetz may be best known to modern audiences for a series of easy listening instrumental albums on Columbia Records from the 1940s until 1980. Kostelanetz actually started making this music before there was a genre called "easy listening". He continued until after some of his contemporaries, including Mantovani, had stopped recording. Outside the United States, one of his best known works was an orchestral arrangement of the tune "With a Song in my Heart", which was the signature tune of a long-running BBC radio program, at first called Forces Favourites, then Family Favourites, and finally Two Way Family Favourites. He commissioned many works, including Aaron Copland's Lincoln Portrait, Jerome Kern's Portrait of Mark Twain, William Schuman's New England Triptych, Paul Creston's Frontiers, Ferde Grofé's Hudson River Suite, Virgil Thomson's musical portraits of Fiorello La Guardia and Dorothy Thompson, Alan Hovhaness's Floating World, and Ezra Laderman's Magic Prison. William Walton dedicated his Capriccio burlesco to Kostelanetz, who conducted the first performance and made the first recording, both with the New York Philharmonic. His last concert was A Night in Old Vienna with the San Francisco Symphony Orchestra at that city's War Memorial Opera House on December 31, 1979.

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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