This listing is for Dimitri Tiomkin - The Fall Of The Roman Empire Soundtrack Vinyl LP Record Album OS 2460.

Label: Columbia – OS 2460
Format: Vinyl, LP, Album, Stereo, Gatefold
Country: US
Released: 1964
Genre: Classical, Stage & Screen
Style: Score, Contemporary  

Condition:   Jacket:   Very Good           Vinyl:  Very Good

Tracklist:

A1 Overture 2:40
A2 The Fall Of Love 2:33
A3 Lucilla's Sorrow 1:45
A4 Ballomar's Barbarian Attack 1:37
A5 Morning  1:03
A6 Profundo 2:32
A7 Notturno 1:57
A8 Pax Romana (Bolero) 5:15
B1 The Prophecy 1:05
B2 Persian Battle 2:01
B3 Dawn Of Love 2:20
B4 The Roman Forum 4:53
B5 Addio 1:55
B6 Tarantella 2:15
B7 Resurrection 2:53
B8 The Fall Of Rome 2:08

The Fall of the Roman Empire is a 1964 American epic film directed by Anthony Mann and produced by Samuel Bronston, with a screenplay by Ben Barzman, Basilio Franchina and Philip Yordan. The film stars Sophia Loren, Stephen Boyd, Alec Guinness, James Mason, Christopher Plummer, Mel Ferrer, and Omar Sharif.

The film was a financial failure at the box-office. Despite this, it is considered unusually intelligent and thoughtful for a film of the contemporary sword and sandal genre and also enjoys a 100% "Fresh" rating at Rotten Tomatoes. It features the largest outdoor film set in the history of film, a 92,000 m2 replica of the Roman Forum.

The film's name refers not to the final fall of the Roman empire, which did in fact survive for centuries after the period depicted in the film, but rather to the onset of corruption and decadence which led to Rome's final demise. It deals extensively with the problem of imperial succession, and examines both the relationship between father and son on the background of imperial politics as well as the nature and limits of loyalty and friendship.

The film's plot is only loosely based on actual historical events. However, in the long-established view of Roman history, Marcus Aurelius is considered as the last of the Five Good Emperors whose time is considered the best of Roman imperial history. Commodus is generally considered to have fallen far below the standard set by his father and the four earlier Emperors, and his reign is considered as the beginning of the decline - though that would still take several centuries.

Dimitri Tiomkin's score, which is one of the notable features of the film, is more than 150 minutes in length. It is scored for a large orchestra, including an important part for cathedral organ. Several cues are extended compositions in their own right. These include Pax Romana in which Marcus Aurelius summons the governors of all the Roman provinces. Although Christopher Palmer stated in his book on film music, The Composer in Hollywood, that it was a march, the cue is actually in the style of a bolero.

Other notable cues include those for The Roman Forum, composed to accompany Commodus's triumphal return to Rome as the newly installed Emperor; a percussive scherzo for a barbarian attack by Ballomar's army; the Tarantella danced by the Roman mob on the evening presaging the gladiatorial combat between Livius and Commodus (which seems to be modelled on the Tarantella movement from the Piano Concerto of Tiomkin's teacher Ferruccio Busoni).

The music was recorded at the Royal Albert Hall. The music editor was George Korngold, son of Erich Wolfgang Korngold. A sound track album was released by Columbia Records to coincide with the release of the film.

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System. 


• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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