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The Manhattan Transfer - The Best Of The Manhattan Transfer Vinyl LP Record Album SD 19319 |
DescriptionThis listing is for The Manhattan Transfer - The Best Of The Manhattan Transfer Vinyl LP Record Album SD 19319. Label: Atlantic – SD 19319 Condition: Jacket: Very Good Vinyl: Very Good Tracklist: A1 Tuxedo Junction 2:44 The Best Of The Manhattan Transfer was released in 1981 on the Atlantic Records label by The Manhattan Transfer for the holiday season. It contained the "best of" their hits from their early Atlantic years (1975–1981). All of the tracks had been previously released on four of their five Atlantic studio albums: The Manhattan Transfer (1975), Pastiche (1978), Extensions (1979), and Mecca for Moderns (1981). No songs from their second studio album, Coming Out (1976), were included on US or international releases, except on early Australian and New Zealand vinyl releases were where a slightly different track order omitted "Nightingale" in favour of "Chanson D'Amour" and "Where Did Our Love Go." The Manhattan Transfer is an American a cappella, jazz fusion/pop music group founded in 1969 in New York City and still active in the 2010s. There have been two manifestations of the group, with Tim Hauser being the only person to be part of both. The first group included Hauser, Erin Dickins, Marty Nelson, Pat Rosalia and Gene Pistilli. The second manifestation of the group, formed in 1973, included Hauser, Alan Paul, Janis Siegeland Laurel Massé. In 1978, after Massé was badly injured in a car accident, she was replaced by Cheryl Bentyne. The group's long-time pianist, Yaron Gershovsky, accompanied the group on tour and served as music director. Trist Curless from the Los Angeles a cappella group, m-pact became a permanent member in October 2014. The group won various Grammy Awards in the 1980s. The group won its first Grammys in 1980 for their cover of Weather Report's "Birdland". Their recording earned them their first Grammy Award for Best Jazz Fusion Performance and the group's first Grammy Award for Best Vocal Arrangement for Two or More Voices, to Janis Siegel for her arrangement of the song. Their cover of "The Boy from New York City", won them the Grammy Award for Best Pop Performance by a Duo or Group with Vocal, and "Until I Met You (Corner Pocket)" earned them a Grammy for Best Jazz Performance, Duo or Group. In 1982, the group won another Grammy for its rendition of "Route 66". In 1985, the group won Grammys in two categories: Best Jazz Vocal Performance, Duo or Group, and Best Arrangement for Voices. The group was inducted into the Vocal Group Hall of Fame in 1998.
I base the condition of each of my Records off of's Grading System.
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. • VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. • GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. • FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. • POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition. Please see our other listings as we have many related items and various other treasures you may be interested in!!! I do combine winning auctions for savings on shipping and try to keep shipping charges as close to accurate as possible. Thanks for visiting our listings and especially for bidding!! |