This listing is for Victor Borge – Caught In The Act Vinyl LP Record Album MONO CL-646.

Label: Columbia – CL 646

Format: Vinyl, LP, Album, Repress, Mono

Country: US

Released: 1955

Genre: Pop, Classical

Style: Novelty, Parody  

Condition:   Jacket:     Very Good         Vinyl:    Very Good

Tracklist:

Requests

A1a Tea For Two

A1b Malaguena

A1c Stardust

A1d Nola

A1e Trees

A1f One Fine Day

A1g Tales From The Vienna Woods

A1h Third Man Theme

A1i Nocturne

A1j Blue Danube Waltz

A2 A Mozart Opera By Borge

Three Borge Favorites

B1a Tango

B1b "Minute" Waltz

B1c Liebestraum

B2 Family Background

B3 Phonetic Punctuation

Børge Rosenbaum (Yiddish: בורגע ראזענבוים; 3 January 1909 – 23 December 2000), known professionally as Victor Borge (/ˈbɔːrɡə/ BOR-gə), was a Danish and American actor, comedian, and pianist who achieved great popularity in radio and television in both North America and Europe. His blend of music and comedy earned him the nicknames "The Clown Prince of Denmark," "The Unmelancholy Dane," and "The Great Dane." One of Borge's other famous routines was "Phonetic Punctuation," in which he read a passage from a book and added exaggerated sound effects to stand for most of the main punctuation marks, such as periods, commas, and exclamation marks. Another is his "Inflationary Language", in which he added one to every number or homophone of a number in the words he spoke. For example: "once upon a time" becomes "twice upon a time", "wonderful" becomes "twoderful", "forehead" becomes "fivehead", "anyone for tennis" becomes "anytwo five elevennis", "I ate a tenderloin with my fork, and so on and so forth" becomes "I nined an elevenderloin with my fivek, and so on and so fifth".

Borge performing before an audience in 1957

Borge used physical and visual elements in his live and televised performances. He would play a strange-sounding piano tune from sheet music, looking increasingly confused; turning the sheet upside down or sideways, he would then play the actual tune, flashing a joyful smile of accomplishment to the audience (he had, at first, been literally playing the tune upside down or sideways).

When his energetic playing of another song would cause him to fall off the piano bench, he would open the seat lid, take out the two ends of an automotive seat belt, and buckle himself onto the bench, "for safety". Conducting an orchestra, he might stop and order a violinist who had played a sour note to get off the stage, then resume the performance and have the other members of the section move up to fill the empty seat while they were still playing: from off stage would come the sound of a gunshot. His musical sidekick in the 1960s, Leonid Hambro, was also a well-known concert pianist. In 1968, classical pianist Şahan Arzruni joined him as his straight man, performing together on one piano a version of Liszt's Second Hungarian Rhapsody, considered a musical-comedic classic. Borge performed a version of the routine with Rowlf the Dog on Season 4 of The Muppet Show. He also enjoyed interacting with the audience. Seeing an interested person in the front row, he would ask them, "Do you like good music?" or "Do you care for piano music?" After an affirmative answer, Borge would take a piece of sheet music from his piano and say, "Here is some", and hand it over. After the audience's laughter died down, he would say, "That'll be $1.95" (or whatever the current price might be). He would then ask whether the audience member could read music; if the member said yes, he would ask a higher price. If he got no response from the audience after a joke, he would often add "… when this ovation has died down, of course." The delayed punchline to handing the person the sheet music would come when he would reach the end of a number and begin playing the penultimate notes over and over, with a puzzled look. He would then go back to the person in the audience, retrieve the sheet music, tear off a piece of it, stick it on the piano, and play the last couple of notes from it.

Making fun of modern theater, he would sometimes begin a performance by asking if there were any children in the audience. There always were, of course. He would sternly order them out, then say, "We do have some children in here; that means I can't do the second half in the nude. I'll wear the tie (pause). The long one (pause). The very long one, yes." In his stage shows in later years, he would include a segment with opera singer Marylyn Mulvey. She would try to sing an aria, and he would react and interrupt, with such antics as falling off the bench in "surprise" when she hit a high note. He would also remind her repeatedly not to rest her hand on the piano, telling her that if she got used to it, "and one day a piano was not there – Fffftttt!" After the routine, the spotlight would rest on Mulvey, and she would sing a serious number with Borge accompanying in the background.

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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