Item description for The Raybeats - Roping Wild Bears Vinyl 12" Single 45RPM Record Y4

This listing is for The Raybeats - Roping Wild Bears Vinyl 12" Single 45RPM Record Y4.

Label: Don't Fall Off The Mountain – Y4

Format: Vinyl, 12", 45 RPM, EP

Country: UK

Released: 1981

Genre: Rock

Style: Surf, Garage Rock

Condition: Jacket: Very Good Vinyl: Very Good

Tracklist:

A1 Searching 3:34

A2 Rise And Fall OF Flingel Bunt 2:54

B1 Tight Turn 4:00

B2 Tone Zone 3:37

The Raybeats were an American instrumental neo-surf rock combo from New York City that arose from the No Wave musical scene. The original line-up consisted of Don Christensen (drums), Jody Harris (guitar), Pat Irwin (guitar, saxophone, Acetone organ), and George Scott III (bass). The Raybeats formed in 1979, brought together by George Scott. He had worked with Jody Harris and Don Christensen in James Chance and the Contortions, and he had worked with Pat Irwin in 8-Eyed Spy. When Scott died from a drug overdose in August 1980, he was replaced by Danny Amis. Amis left in the spring of 1982, after which the Raybeats used several bassists-for-hire, including David Hofstra, Bobby Albertson and Gene Holder. Amis later formed Los Straitjackets.

With Amis, the Raybeats recorded an EP called Roping Wild Bears, which was released in 1981. Later that year, they recorded and released a full-length album titled Guitar Beat produced by Martin Rushent. It featured ten original tunes, plus a cover of Jan Berry's "B-Gas Rickshaw." After Amis's departure in 1982, the Raybeats recorded one more album, It's Only A Movie!, which was released on Shanachie Records in 1983. They disbanded in 1984. In 1990, Christensen, Harris and Irwin reunited one more time, playing a benefit concert for the Brooklyn Academy of Music. Jared Nickerson played bass.

On August 21, 2010 Pat Irwin, Jody Harris, Don Christensen, with Gail Ann Dorsey on bass backed up Adele Bertei (Contortions/The Bloods) at Joe's Pub in Greenwich Village. They played another show on August 25, 2010 at Bowery Electric (327 Bowery at 2nd Street). Also on the bill was Faith as well as Command V which was a band consisting of Pat Irwin, Cynthia Sley (Bush Tetras) and filmmaker Rachel Dengiz. On June 29, 2011, the Raybeats headlined a benefit concert at Maxwell's in Hoboken, New Jersey, raising funds to cover medical expenses for former bassist Danny Amis.

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System.

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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