LOW COST SHIPPING PROVIDED WITHIN THE USA ONLY, BUT I WILL SHIP WORLDWIDE AT BUYERS EXPENSE


1992 ROYAL HAEGER CERAMIC ART MAN/WOMAN LOVE CONNECTION
TURQUOISE BLUE GREEN COLOR

HERE FOR YOUR CONSIDERATION IS An ORIGINAL LARGE DISPLAY
BY ROYAL HAEGER POTTERY

ON DISPLAY IS A ART DECO CERAMIC "ETERNITY" ART PIECE
WHICH IS MADE OF CERAMIC AND HAS A VINTAGE TURQUOISE BLUE GREEN
COLOR WITH A SLEEK POLISHED
PORCELAIN FINISH.
AN EXCLUSIVE HAEGAR POTTERY ART PIECE

HAGER ARTWARE DECO IS A MUST HAVE FOR COLLECTORS
OR ADD TO YOUR OWN DECOR.

THE HAEGER AMERICAN MADE POTTERY PIECE HAS #302 COPYRIGHT 1992
ON THE ORIGINAL STICKER ON THE BASE.

MEASURES AT THE WIDEST POINT IS 17" INCHES AND ITEM STANDS AT
15" IN HEIGHT.

THE HAEGER HISTORY

1871- 1913
Haeger Potteries, headquartered on the clay-rich banks of Illinois' Fox River just 45 miles northwest of Chicago, shares significant history with its giant neighbor, known as "the most American" of major American cities.
In 1871, the same year of the great Chicago fire, a young German immigrant named David H. Haeger founded the company originally known as the Dundee Brickyard.
Over the next 130 years under four generations of family leadership, this small town brick maker was to become America's oldest and largest production pottery.

The Chicago Fire destroyed more than 17,500 buildings and made tens of thousands suddenly homeless.
The company that David Haeger founded fired the first of millions of bricks needed to help rebuild the great midwest metropolis. In this way, the young company helped a city rise from the ashes of mass disaster and restores its faith in itself. The volume brickmaker was destined to secure a special place in American artware history.
For both Chicago and David Haeger's growing company, the late 19th century was a time of new confidence, energy and vision. Over the next 25 years the city's lakefront was rebuilt on the solid planning of Daniel Burnham, the legendary architect who laid the seeds for modern Chicago's magnificent shoreline, once laid low by the fire.
At the same time, David Haeger, with the help of one of his sons, Edmund H. Haeger, began laying the groundwork for their company's transition from brickmakers to artisans. By 1900, the year of David H. Haeger's passing, the company was already making simple red clay flower pots for the florist trade. Edmund Haeger, with his artistic vision, was to complete the metamorphosis from Haeger Bricks to Haeger Potteries. In 1912 he introduced a more sophisticated line of glazed artware.